oni-ki is the new studio adventure of old friends onirik & minoki, bridging genres, travelling through house, techno, electro, dub & ambient with their own touch, this is only the beginning. onirik also provides his solo rework of the title track.

ltd repress! s.a.m.’s debut album on his own delaphine consisting of 3x12” heavy weight vinyl in the finest gatefold artwork designed by max binski, mutantexture and s.a.m. himself. scandinavian sound resonating with love. mastered by stefan betke.

she lost kontrol records is an indipendet label focused on electronic body music, new wave, dark wave, neo folk, industrial, noise, avantgarde.
slk000 - la festa del metallo: melanchony and romantic synth wave mixed with a clear post-punk roots and dynamics insistent ebm loops.
on the a side 3 tracks from the-ne21. the-ne21 known as retina.it are the duo project from lino monaco & nicola buono who wants to come back to their new wave background. the duo, placed near the vesuvio, explored all the capabilities of analogic synths since the beginnings, developing an its own idea of sound.

for the past four decades, a growing cult of soul music collectors have sought two obscure lps and a handful of extremely rare 45s released on the vanity record label lad productions, inc. between the late seventies and the mid eighties by the mysterious south side chicago singer/song writer larry dixon. larry s raw songs capture the transition from r&b to boogie-down as disco was rapidly becoming extinct. they also perfectly illustrate larrys ability to overcome his environment and discrimination, transcended by his determination to write and produce music. with the support of his faithful musicians, larry s success was only hindered by lack of airplay and promotion, but his talent shines through. this is the story of larry dixon, his label lad productions, inc., and his friends and family throughout four decades of music in chicagos toughest neighborhoods. jerome derradji is proud to reactivate past due records the boogie funk division of still music to release this fantastic archive – what many consider to be the holy grail - of chicago funk, boogie and soul.

modular ball is an experienced duo from japan. sound engineer isao kumano teamed with musician kenichi takagi for their first release on rowtag records. they usually work together with alex from tokyo under the name tokyo black star. they share a same passion for analog old synths but kenichi added his touch on the project using his own modular systems.

six years ago, claremont 56 boss paul ‘mudd’ murphy tried to track down via his dj network, former freeez band-members john rocca and andy stennett to license pink rhythm’s “melodies of love”, for one of the originals compilations. they didn’t show up on the radar.
earlier this year, however, out of the blue, stennett got in touch with murphy. for much of the last two decades, he’d been living on a remote island off orkney, but was now pursuing music again.

tucked away in a now not-so-quiet corner of south east london, wholemeal have been quietly, unobtrusively getting shit done. wholemeal music’s freshman release hits the shelves this month featuring two cuts from yam records boss tom esselle and a hoofing remix from fellow south-londoner west norwood cassette library. skilfully treading the line between house, techno, and jazz, the a-side, until she spoke is a superlative exercise in light-touc h sampling and devastatingly effective rhodes work. it shuffles then stomps, hypnotises then elates, bringing together disparat e threads to create something for the head and the heart. the title track, garibaldi, maintains the light-touch sampling thread and then takes it to a whole new plane of drum-driven dancefloor detonation. twisting chord hits whirl around a savage interplay between bass and drums before dropping back to an elemental pounding, bypassing the brain and heading straight for the feet. long time wholemeal friend and serious contender for the nicest man in music award bob wncl has very kindly picked up garibaldi by the scruff of the neck, grafted an enormous pair of junglist balls onto it and kicked it screaming across t he dancefloor. this is about as peak-time as it gets. wait for the wall of bass after the second drop, its enough to stop you breathing.

auf seinem debütalbum arbeitet der britische ambient-experimentalist specimens einflüsse von alten und neuen noise-pionieren wie throbbing gristle, leyland kirby, k.leimer und ben frost ein. produziert wurde -sculptures- von lawrence english, labelbetreiber von room 40 und mastermind der drone/ambient-musikwelt.

a forthcoming masterpiece of a new artist! - with traces of burning spear and culture in his voice, spiritual s original songs share with buzz artists like chronixx, protoje and alborosie the aims and destiny of reggaes new roots re-generation. production credits are a seal of quality, as there is the main producer clifton -specialist- dillon (producer for alborosie, shabba ranks in the 90ies, world hit by omi and many more) alongside bobby -digital- dixon, who also mixed a good part of the album. the main recording took place at digital b, plus some at anchor, tuff gong and oufah recording studios, with a big credit list of finest musicians, both veteran or new generation of the jamaican scene appearing and with the final mastering touch by kevin metcalfe. additonally iba mahr and droop lion (from the new gladiators) appear as guests for fine combination tunes. -awakening- is an album which might stand alongside classic reggae 70s albums like natty dread (bob marley & the wailers), marcus garvey (burning spear), two sevens clash (culture) and the right time (mighty diamonds) and is available with a new artist introduction price level!

air cushion finishsdistinctive sound palette reconciles pop music with experimental electronics, think alan bishop meets white noise (with a touch of super collider?) air cushion finish formed in berlin in 2007 and comprises of composer jayrope and natural vocal synthesizer lippstueck, who have graced berlin’s underground scene together since the 1990 s. lippstueck sings, wordless and backwards in time while his partner jayrope tends diy, electronic, string or percussion instruments small enough to fit into a small suitcase. changing setup and subsequently music is programmatic to the band, resulting into an unforeseeable slow motion cacophony of whispers, bleeps, rhythms and harmonies. theres a notion of dada, but you never know. the 8th album of acf marks their current state of poetical accident, swaying, swinging and bouncing, boldly careful, like a transparent tattoo on your forehead.

blackwater label strikes back with a special limited edition for christmas.
we proudly present the first single side ep in house, proudly curated by relevant name eduardo de la calle and mtheorem, a very talented produced already seen on kapvt mvndi records from blackwater label. a two tool bomb tracks ep with touch and velvet approach, obviously related to the knowledge and experience of eduardo de la calle but probably the featuring of mtheorem gave a particular extravagance taste to the release.
“andes echoes” is a proper techno tool track with psychedelic and trippy atmospheres all around. pure music.
“kalpabriksha” is a more aggressive techno track with some modern influences and a super hypnotic lead.

12” single from the forthcoming debut album of scandinavian producer s.a.m. aka. samuel andré madsen on his own imprint delaphine. featuring two full sided tracks from the album. the a-side ‘out of touch’ appears here in a special 12” version unique for the single - strongly reshaped and uplifting! b-side ‘pour aisha’ is a long fat emotive afterhour weapon!

a great release from sam kdc, his musical breadth can range from pure ambient to wild and crazy synth mayhem. its all done with a touch of class and care, all you skdc diehards this is a no brainer. auxiliary again releases another ep of pure originality and this is what makes it stand out as a label in the modern age.

the dj and producer from cantabria comes back into the picture with this ‘seconds of light’, which is released on his own seven villas music. boli&#769,,var goes deeper and deeper into velvet soul deep-house, with a dreamy touch which is especially present in the track which names the ep. therefore, it counts on a soft groove and an inherent club vibe which makes it perfect for summer sophisticated sets, or even for listening on one’s ‘me’ time. simo&#769,,n garci&#769,,a’s remix of ‘seconds of light’ darkens up the original, giving it an extra push of strong kick in order to take it to the late hours and the vibrating underground dancefloor. ‘all clear’ is under el txef_a’s approach, a modular, cosmic and disco kraut-rock space trip, with an acid reminiscence. illustrated escapisim whch does not forget about the dancefloor. ‘leaves without shadows’ was a track which was originally included in bolivar’s last compilation ‘the obscure figure’, also released in seven villas. pablo enjoys this time the collaboration of upercent from valencia, and also includes a remix by berlin’s duo youandme. deep but rhythmic, almost martial tech-house, which is as well danceable and in constant emotional progression. through his new ‘seconds of light ep’, pablo boli&#769,,var makes us involved in his sound imaginary, which is always wide, varied and gets given qualities which are linked to his music bet: quiality, good taste and international scope.

alex falk first showed up on our radar back in 2013 when his terse ep dropped on tennessee-based label proper trax. that record – specifically -ptr-, which we pitched way down and turned way up – was a regular fixture on our platters, so we were stoked when the man in knoxville got in touch with these groove-heavy, stripped-back floor fillers that now make up the anjuna ep.

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor

bratha is the name of the berlin based collaboration of matt nowak aka no mad ronin and the analogue cops aka lucretio and marieu. their releases on their own label bratha, on voitax and on restoration have quickly sold out without any mainstream promotion. topless dancers is their debut e.p. on matt nowaks imprint zaijenroots. as usual, this vinyl only release recorded at the restoration headquarters and mastered at dubplates & mastering, combines refined samples and quotes with extremely solid, pumpin beats and fat basslines. the grooves move smoothly from the metronomic dance attitude with a romanian touch topless dancers of the title track, to the wobbling estate, undergoing to the suspended, melancholic fluctuations of space boogie and the slow discoidish no mad ronins death. this pumping ep for sure fills every dancefloor with a deep and smooth vibe of real underground dancemusic made in berlin.

continuing where subspace transmission 1 left off casionova brings another triple-tracker 12? of synth jams and dancefloor grooves ranging from the merciless bass-driven mecha-disco assault of droids night out to the epic, booming and deep bass box-jam magic touch and with the galloping, mystical and hypnotic necromancer s spell sandwiched in between - for those who like their electro-disco raw and relentless.

taste me is a 1981 obscure instrumental library music album and a weird example of italo funk disco played by professional musicians (most of them under pseudonym) involved also in many different musical projects (from jazz, progressive rock and disco music). the lp includes the killer disco funk dont stop it. repressed in limited edition with original artwork for the first time since 1981. dont miss it.

arthur forests name should be more widely known in the world of dance music, the man lent his expert to touch to more than one classic record emanating from detroit during his time and has quietly left an indelible fingerprint on house and techno history. here at mint condition and for our third release we are extremely proud to present one of art forest s (in our opinion) finest moments - the majestic, futuristic expectations ep. released in 1992, this 4 track ep has always been sought after by detroit lovers worldwide. often very difficult to track down and commanding high prices on the second hand market, this 12- is a real rarity. showcasing a style that stands out from a lot of records released around the same period -expectations- still sounds so killer today. listen to -flow with me- on the b-side, an insanely deep, melancholic piece of detroit house, steeped in motor city futurism (those synth pads!) and with an otherworldly vocal performance from dan carter it ticks all the boxes, absolutely sublime and worth the admission fee here alone. stunning. if you re up to your neck in the history of detroit dance music, or if you ve literally just stumbled upon this entire world of amazing music (welcome!) you ll want a piece of this. beautifully crafted deepness from a quiet master of the artform, what s not to dig? mc003 has been reissued with the permission and involvement of arthur forest and remastered by london s very own curvepusher. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

come with us to a place of solitude where silent winds and barren landscapes have captured the hearts of many admirers but reject their controlling touch. a rejection of life, of death, and everything in between. this place is everything, it is the soul, but yet it is the nothing. a piece of that place has been brought to you once again. to some it will be an adventure but to others it will remind them of the journey taken so long ago to a place where rules did exist, no labels would fit, and no love could be found. frozen and empty but still the soul thrives. we call this place antarctica. where the soul thrives, and only the nothing lives here.

with our own record label, ran from the legendary mary go wild basement in amsterdam, we will focus on connecting like-minded artists. expect quality techno and acid productions only. dutch national heroes will be teaming up with international pioneers to create instant classics that will stand out. welcome to mary go wild! (rod remix) after tearing apart the mary go wild basement last year, gregor tresher returned to amsterdam for the worldwide release of his new quiet distortion album on vinyl. he left us with a track that needs to be heard. we got him in touch with another basement legend, benny rodrigues, who obviously didn’t hesitate to join in and make the remix under his rod malmok techno alter ego.

ilario alicante is back on the track and he simply beats the shit out us! the italian techno maestro presents a stronger than strong release that defines the alicante-sytle in pure perfection. the extreme detroit flavoured alicante double pack tracker comes with remixes by adventice and mark broom. alicantes originals “virgo storm” and “hypno” are based on a massive and masculine beat programming and wave the “purpose maker” and “axis” flag like no other of his releases so far. this is heavy material - this feeds rob hood and jeff mills fans and we can see and hear alicantes admiration for the underground resistance back catalogue here! adventice (dj deep & romain poncet) remix for “virgo storm” follows this direction however it leaves out the manic synth elements and incorporates even more peaktime-floor-action-sounds that have only one message: total dancefloor madness! mark brooms remix for “hypno” introduces a very cool but deep-dark and filtered organ-bassline which gives his remix an even more hypnotic touch in contrast to the cheeky and nasty original by ilario alicante. this 4-track-package proofs that good and solid techno is still fresh and alicante leaves a major footprint with this release! play this loud and drive your speakers to the edge, azzurro alicante is back on cocoon recordings!

after more than one year, marvin zeyss is at it again with his 4th release on his own series. this one is coming with a fresh sound and functional touch to it. delievering 4 exquisite tunes brought to you via vinyl only. be fast and enjoy, as usual when it s gone - it s gone!

nach seiner zusammenarbeit mit miss kittin auf bnr legt der berliner dj/produzent djedjotronic nun seine erste neue soloarbeit seit 2014 vor und veröffentlicht mit der strapon ep vier schweißtreibende, einzigartige und teuflisch-darke techno & electro-perlen auf grau-marmor-schattiertem vinyl.

labelbosses sbth return to their mothership and take over the steering wheel, capture the vibe from the previous releases and add a little munich touch. like giorgio mordoder would do a proper modern house track… a trippy journey!

marcel vogels intimate friends label turns to an unknown entity for their next release, giving dear earth no less than a full album to run with as a first outing. that s a strong statement of conviction, and the label are right to be so bold as dear earth shows off the kind of inventive, sample-rich approach that makes your ears prick up in an instant. supposedly hailing from london, this mysterious figure has been trawling through all kinds of ephemera and stewing it into a soulful, meandering body of work that touches on house, downtempo broken beat and more besides

the classic 1987 aerosmith album incl dude looks like a lady !

finnish dj/producer brothers buru got it all! nice and timeless elements in the original. hans brings his own touch to his rmx, same as german producer krenzlin, who delivers a bangin version. don t forgert about fin jouni koistinen, his remix is the true evil!

ondon-based duo jamka return with inter alia, the latest evidence of their patient, intimate relationship with their analogue machines. from the start there’s a sense of event – we encounter clear, interlaced electronic textures, powerful analogue drones and well-placed beats. the tracks aren’t soundscapes so much as fertile electronic soundfields. patemp continuously expands in an incredibly subtle but powerful way and shows that jamka’s technical skills don’t preclude an emotional touch. on the tight and minimal anazmo, the coiled energy bears traces of minimal techno and radical electronica, but it’s beyond either of these. while the album passes quickly, it’s full of detail and the thoughtfulness and craft that have gone into it are evident. dwa offers the chance to appreciate the flow and the sheen of its analogue textures – the modernist romance of the power line hum and its promise of technological-cultural progress. jamka are known for their dynamic live performances and this energy is almost tangible on derazor. the stately igora is a strong, bold close to the album, offering surprises right till the end. the sharp, metallic details ripple through the mix and an anthemic sequence shines through. inter alia makes clear that jamka are worthy inheritors of slovakia’s proud late modernist traditions of radical architecture and electronic music. this is a work of craft that demands respect and repeated listening.

society 3.0 recordings set out to put together a collection of songs in the form of an excellent 12- maxi single / digital download release, featuring 6 tracks from a host of talented artists. marc de vole & ray simon dominate the first half of the record, with their incredible dense sound and awe-inspiring deep house philosophy. mr. de vole has been into electronica since the late 90s, and his seasoned experience clearly shows through his track. this is an artist who strives to create focused and punchy tracks, yet retain a very special intuition that add that sought-after -human touch- to his works. russian artist -tuneon- dominates track n.3, -blumarine-. the song flirts with 90s disco and house influences, adding some color and texture to the setlist, without straying too far from the mood previously set by marc de vole and ray simon. the second half of the release features the work of sergio parrado and ernesto paredano, who set out to collaborate on 3 tracks for this release. these tunes showcase a more modern and european approach to the sound. on -mamey- and -krill-, the pair showcase an interesting approach to percussiveness, creating intricate and dense rhythmic pattern that truly drive the songs. closing number -tempranillo- embodies the spirit of classic deep house and tech, serving as a perfect closing number for such an exciting and diverse release.

the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

for the fourth edition of slow motion’s soundtrack serie we welcome heinrich dressel, better known as one part of minimal rome. space shaft is three tracks of dreamy, sleazy space-funk delivered with a light touch across expansive musical horizons. backed up with a brace of marcoantonio spaventi versions – both ‘disco’ and ‘chill’ space shaft is a record for movie fans and dancers alike.

brandneues studiomaterial des us-electro-pop-duos animotion, bestehend aus bill wadhams und astrid plane, das in den 1980 ern mit hits wie -obsession- und i engineer weltweite top-chart-erfolge feierte. mit raise your expectations setzen animotion genau dort an, wo sie vor 26 jahren aufhörten. zusätzlich zu den 10 neuen songs gibt es als bonus eine 2016 er version ihres zweites hits let him go aus ihrem selbstbetitelten debütalbum von 1984.

nice price deal !!! ryota o.p.p aka ryota arai delivers his debut album pale lux for meda fury. ryota is based in tokyo at the nexus of the japanese house / future disco scene, alongside cohorts such as cos/mes, inoue shirabe, and kza he blends eastern mysticism, jazz spirituality, and cosmic disco with classic 4:4 rhythms. a highly respected dj, promoter and producer the opaque discoid-stomp of his future life ep marked him out as an original oddity but a vital new voice in the now global electronic music community, but with pale lux hes enlarged the scope of his musical canvas to incorporate new fresh textures and atmospheres. as meda fury head honcho nick williams explains: future life was built from some quite dark, abstract demos, some of which ended up being a bit overproduced for his self made debut cd only album. the pale lux lp is a ryotas fully realised eclectic vision, with a mood that is more optimistic and playful - much more reflective of his personality.pale lux indeed has a real narrative flow - dance floor tracks such as the chunky balearic vibes of wood, and banging future techno of bird flying over the rainbow nestle alongside home listening ambience witness the backroom/chill-out vibes of origin, the cute hip hop bounce of soft touch or the delicate trinket box chimes of outro drops. oscillating between light and shade, slow and fast, the influence of japan s history and native instrumentation runs right through the record, his fascination with balearic, disco, deep-house, hip hop, ambient and blunted beats parcelled into a glorious, sweetly considered listening experience.

oh! my god recordings presents its 13th launch before this christmas. this time at the expense of tobsen graale, known by his collabs with artists as christian burkhardt, in labels like tanzbar musik or trenton records. an ep loaded with old school techno and a high dose of groove that comes along with 2 incredible remixes. the first side of the disc gives name to itself, monitoring state and daso ( espectral sound / still vor talent) give a touch of techno-house with a taste of the german producer style to their remix. the side b belongs to the original track the universe next door. a travel into the past of the most pure electronic, along with the remix from human halo and the new member of the omgr family, jos vogel, giving it a fresh touch of sound. howard the duck is back!

nice price deal !!! with releases on 7th sign, persistencebit and self defence to his credit, belgian dj/producer franco cangelli returns to his own mowar label for this killer four-track ep. inspired by classic techno and contemporary machinations in equal measure, cangellis palette is varied but sophisticated. >pressure< kick starts the ep in dubby mode, but the fat beats and spooky riffs are soon joined by a warm, sublime chord sequence. >frantic<, as the title suggests, picks up the pace, with a slamming, slightly off-rhythm underpinning wired analogue bleeps. thanks to cangellis smooth production touch, it manages to sound both timeless and modern. on the other hand, >fringe< and >deviate< make no secret about their influences. the latter deploys raw, crunchy beats and a shuffling groove as the basis for a sensuous chord sequence, while >fringe< is even more reverent. gently filtered bleeps and tones cascade over tight claps and an insistent, jerky rhythm that recalls stasis and derrick may. dont miss out on this future-retro gem

blueprints 20th anniversary year comes to a close with a limited four tracker from this new artist hand stamped white label
closing the end of 2016 and blueprint’s 20th anniversary year is a new blueprint ltd release by r.a.s.p. going straight for the jugular with their ‘deployment’ ep, we’re given four tracks of twisted beats and cutting-edge techno to mark their blueprint debut. whether it’s the dancefloor destruction of ‘deployed’, delving into the deep sonic depths of ‘fortified’, the sensitive touch of dark melody in ‘insert point’, or the speckled electronic groove of ‘strong hold’, the ep underlines another stunning year of releases for the label and its sister imprint.

hibit records start their first release with upcoming romanian producer incolor, who delivers 3 melodic house tracks.

the colors are stunning. in a single view, i see looking out at the edge of the earth, all the colors of the prism. red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. as i looked upon our home rock, i saw many natural features. i witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. i also saw huge forests, extending along & across several borders as if these divides didnt exist. i watched the extent of one ocean touch the shores of separate continents, then suddenly, a profound thought came over me as i looked down on all this. the birds dont fly this high

killer electro/wave tracks by black pond. black pond is a collaboration of underground star beta evers and jeff galea from the legendary eleven pond. known for her solo work as well as various collaborative projects, beta evers can be considered the godmother of german electro wave. her beats are strict while her voice is cool and deep. jeff galea, who founded eleven pond in the mid-80s, is the master of energizing bass lines and emotional synth melodies. deepest chasms reflects their shared darkness in four melodic and atmospheric synthwave tracks that won t let go of you.

assorted moods is a turning point in john swing’s artistic output straying from his signature house and techno sound, towards many of his other influences gathered in the years: from jazz to dub, funk to hip hop and of course, club music.

the 4th solo album from peter gabriel, originally released in 1982 - now back on 180 gram vinyl, half-speed remastered and with download code included.

vinalog’s new ep on relative delivers raging club music with 4 cuts balancing the uk and berlin sound with a masterful touch. the two mixes of “flashback” on the a side provide raw, nasty house with a punchy groove and luscious vocal samples. b side sees two variations of the same motif: “recall 97” has strong uk bass heavy influences with an acid touch and spanish-mumbling vocals, while “redub 97” is a more stripped down version of the latter able to deliver for the dance floor with a more broken-beat rhythmic pattern.

after the release of their collaborative breed ep at the end of last summer, nicole moudaber and skin (from skunk anansie) have unveiled their highly anticipated remix package featuring a long list of respected producers. carl craig, fur coat, jamie jones, jerome sydenham, paco osuna, pan-pot and scuba, are just some of the names which have turned their hand to the project. originally born out of nicole and skin s desire to fuse their rock and techno backgrounds, this is a true collaboration project with a difference. the pair have also recently been sharing the stage at high-profile slots such as space ibiza and coachella. the first track on the second part see s don t talk to me i m dancin remixed by hot creation boss jamie jones, which features a thudding heavy bassline, and zebra katz vocals sampled over the top. the second track on the a side see s french emotive techno specialist paul ritch turns in an atmospheric, driving remix of these walls are made of water . first up on the b side is pan-pot s take on these walls are made of water , adding the duo s characteristic stomping touch, as well as dramatic new synth melodies. this remix is another nicole favourite, often featured in her sets and her in the mood radio shows. rounding off the b side jerome sydenham remixes don t talk to me i m dancin feat. zfk and takes the track into uptempo driving territory.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 10 x 7” box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

jerome derradji is proud to reactivate past due records - the boogie funk division of still music to release this fantastic archive – that many consider to be the holy grail - of chicago funk, boogie and soul.
“star time” will be released in a limited 500 copies 4 lp box set, faithfully reproducing the vision of lad productions, inc.
it features each and every larry dixon’s releases from 1971 to 1987, including the ultra rare “i’am so in love” lp recorded live at the copherbox club in 1980 and the ultra rare boogie funk “can’t price love” lp, each carefully re-mastered from the original tapes and a lot more!
many unreleased songs (some mixed by jerome derradji) are also featured. each format includes a unique booklet with the story of larry dixon and his friends, written by jacob arnold, along with numerous pictures and documents previously never published. artwork is by al kent from million dollar disco.

the duo of kenny gino and mk smokin t return to moods & grooves some 13 years after their highly successful release as black music. known through several aliases the pair creates experimental jazz for the dance floor of the future through cozmic jazzz futurist (puzzles), chicago jack & detroit techno influenced vibes (xor), and raw and dirty deepness with solid gold playaz (when u touch my body). true to the moods & grooves spirit the project is something for your mind and your body.

we are starting the new macadam mambo 7 inch series with 2 crazy acid house / electro tracks by japanese’s new comer jin cromanyon. we’ve been in touch since last february in japan where we met for the first time and decided to work on this project. those 2 tracks will also feature on cromanyon’s lp, in preparation for next year. rémy mattei, who previously made the artwork for ultima sensazione last year, is back with a demential drawing. shortly it’s crazy, it’s dope and it’s limited to 350 copies, so don’t sleep.